As I look at my yearly tabulations on Excel, I see that if I write 1,185 words I will have averaged over 4,000 words per month on the year. Given the myriad other elements of 2016, it’s important to me that I achieve this meager milestone. (Hey, I’m already down to 1,139 words!) (1,132!)

I’m currently sitting at a table in Montpelier with five other writers, all on our laptops. It feels good. I’m helping out with the winter residency at Vermont College of Fine Arts, my beloved alma mater, prepping for a two-day generative microfiction workshop we’ll be conducting this week before attending a lecture by Trinie Dalton that will most probably remind me how much I have yet to learn. I’ve just decided on the fly that I want to have students read my friend Jeff Rose’s year-end collected chili meditations for the workshop, and I encourage you to as well, even (or especially) if you’re not that into chili.

Wow, I already ran out of ideas before I even came to a real one. In desperation, I just posted a call for suggestions on Facebook. The first came from my friend Richard:

Neutrality aids the oppressor. And go!

This is something I’ve thought about quite a lot as a teacher and as a human this year. Here are a couple of examples, one from my teaching life and the other from my human life.

I team-teach most of my classes during the fall semester, as the writing professor attached to a thematic seminar taught by another faculty member. One partnership this semester was with an International Politics professor who was teaching a class on dystopia in modern media and mythology. She is incredibly intelligent and on a work visa from Bangladesh, and also not that much older than our students. As November 8 approached, a couple of students in our class let her know they were voting for Trump, one fairly belligerently and with a looming hint that the student hoped Trump might the professor’s status as an immigrant and a Muslim against her. All of the students mentioned a particular class experience to me in which my teaching partner challenged the class to elucidate their argument; the class seemed to think that her perspective was not “neutral” enough, and that mine might be more neutral, the implication seeming that I might be more neutral as a white non-immigrant.

After the election I traveled to Standing Rock, ostensibly with my Trump-supporting childhood friend. He backed out as I was traveling to Kansas to pick him up, but before that happened another friend sent me a message that "30 hours in a car with a Trump supporter would be less feasible for a lot of people who feel color, gender, or orientation difference." 

As I was thinking about that, I also thought about how I arranged this trip before the election in part as an olive branch to my friend, who would be downcast after the country finally came to its senses. I have to say, I wasn’t entirely disappointed when my friend backed out, and I’m starting to see that a lot of (white) people, in pretense to neutrality, have given a con artist with no virtuous qualities and his brood of leisure-class insiders the keys to the White House, mostly out of a sense of perceived familiarity with a guy who shares no cultural or financial referents with them except his self-identification as a Winner.

In both of these cases, I think, neutrality is essentially identification as the cultural “winner” – the person who, in setting and defining the rules of the game(s), is most apt to control the outcomes. This is not neutrality, and this is not moral. This is violent, and oppressive. And it’s why I’ve decided it’s important that I, as one white male, am not neutral. 

Ok, I’ve now eaten dinner and sat back down, and my Facebook thread has waaaaay more responses than I could possibly respond to in the waning hours before the new year. They require much more thoughtful discourse than I’m capable of right now with a beer at my writing table and fireworks booming outside my window, but I’ bet listing them might both queue them up for near-future development and push me over my word count:

  • From my friend Michael: “The reductiveness of ‘teach a man to fish,’ using actual facts about fish” (This is a full-on essay waiting to happen.)
  • From musical genius Chris McFarland: “Write about songs that should no longer be covered, i.e.: retired like a sports jersey number” (To start: Leonard Cohen’s “Hallelujah.” One of the most powerful songs ever written, that’s been borrowed and bowdlerized into submission.)
  • From my old buddy Joe: “The Kansas Jayhawks: A List of Players and Coaches I have Watched” (Ooh, I sense a winter series of blog posts coming on.) “…or alternately: Duke Players: A List of Whiners, Floppers and Cheats” (This one pretty much writes itself.)
  • From my friend Heather: “Words made up by children” (I wish I could think of my children’s right now, and/or tap into the voluminous cloud on this one. It’s rich for development.)
  • From my old friend Angie: “Why people make New Years resolutions but always break them” (I’m doing my part not to break my word count resolution.)
  • From my former student Loren: “The pitfalls and bias of crowd sourcing information from a social group who, presumably, have very similar outlooks and opinions.” Did I mention she was one of my more smart alecky students?)
  • From my old friend Sarah B.: “A spiritual or supernatural experience that you have had that doesn't fit into your current worldview” (Standing Rock. More on this soon.)
  • From writing colleague Nicole: “'On anticipation,' or 'Snacks and Rituals,' or 'Dropping the Ball' (any ball you want).” (Ohohohoho. Three dandies.)
  • From my friend Carrie: “Dreams!” (I want to only write about this subject from now until forever.)
  • From writing colleague Sheree: “10 things to do in 2017 to honor the lives of the artists we lost in 2016”
  • From my old friend Sarah G.: “The trend I have increasingly been made aware of in my adulthood of people and friends committing to an event and backing out at the last minute...students backing out of an artwork, lack of commitment.”
  • From my Aunt Stacey: “Close your eyes and tell yourself a story. Happy New Year!” (You too, Aunt Stacey, on the story and the happy New Year!)

I’ll squirrel these away for future essays/blog posts, or if anyone wants to run with any of them, consider it my New Year’s gift to you.

And that, my friends, just put me over. Here's the evidence, on advice from my old friend Darin: “Why numbers matter and how to fudge them”:

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AuthorJohn Proctor

Ok. After yesterday's fiasco, I've got to hold it together today. And the only way I can do that is through a Christmas song by Sufjan Stevens. You can feel free to take lyrics about K-Mart being closed, to Santa Claus and Little Lord Jesus, to your sister's self-cut bangs and jumping off a ladder with your boots tied together as seriously as you like, but hopefully not so much so. I mean, the title does have not one but two exclamation points.

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AuthorJohn Proctor

I had another "I Am Old" moment this year while watching the newer CGI Alvin & the Chipmunks. I won't go too far into it (it's embarrassing) but suffice it to say, I had a hard time with these new guys, much like I had ten years ago with the Jim Carrey How the Grinch Stole Christmas. I love the idea of carrying on and updating our collective mythology, but all this just seems so...commercial. But if I'm going down this rabbit hole, it's probably worth admitting that almost all of our 20th-Century American mythology is commercial at root, especially our Christmas mythology. Christmas isn't the season of giving, it's the season of spending. 

Take the Chipmunks, and their most famous commodity - a song about opening presents, most notably a relic of the late 50s (the hula hoop) that culturally appropriated a sacred object of indigenous mythology, mass produced it out of plastic, and marketed it every thirty years so heavily that it became a symbol of the two most flippantly consumptive decades of the last century, the Fifties and the Eighties. It's no coincidence that Alvin and the Chipmunks' peak popularity was in those decades as well, so I guess that they're now being exhumed for their next every-thirty-years cycle right about now.

Did I mention I was a kid in the Eighties? When "The Chipmunk Song" was most ubiquitous as the song Rocky's trainers played in the cabin between workouts in the Siberian wilderness in one of the most obvious pieces of late-Cold War propaganda films of the period? God, we feared and loathed the Russians then, with their brutal dictator Putin, I mean Gorbachev, while Donald Trump amassed his wealth while getting a good laugh with Reagan over the great trickle-down economics sham.

Fuck, this was supposed to be happy.

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AuthorJohn Proctor

"It's Christmas time in Hollis, Queens. Mom's cookin' chicken and collard greens. Rice and stuffin', macaroni and cheese, and Santa puts gifts under Christmas trees": This is as much a part of my Christmas lyric vocabulary as "Faithful friends who are dear to us, gather near to us once more" or "Chestnuts roasting on an open fire." I'm still unsure whether this or "Walk This Way" (which established the black/white mashup that Anthrax/Public Enemy, Danger Mouse, and Girl Talk ran with) was more important to my junior high experience.

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AuthorJohn Proctor

Ok, maybe not technically a Christmas song. BUT: 1) I'm about to visit the Trapp Family Lodge for Christmas for the third time, despite the fact that I haven't even seen The Sound of Music once and only have a vague understanding of who the Von Trapps were. But I know a few of one of their favorite things. 2) It's on Herb Alpert and the Tijuana Brass's Christmas album, and I know it more by Alpert's trumpet than by Julie Andrews's voice. 3) HAPPY. So happy.

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AuthorJohn Proctor

I totally ignored this song when it came out. I think it might have been because I was in the middle of a hardcore Dylan phase, and in a heated argument with my father about Dylan's singing voice he had the nerve to say, "Just look at Mariah Carey: better voice, and just as as good a songwriter as Dylan." It took me a long time to get over that one. She actually co-wrote most of her hits with Walter Afanasieff, aka Baby Love, the Russian-American producer who also co-wrote Celine Dion's "My Heart Will Go On." Th is song, co-written by Afanasieff, unlike the rest of Carey's catalog has steadily grown on me over the years. Or, as my friend Walker recently said, "I don't even care, I fucks with mid-90's Mariah all day."

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AuthorJohn Proctor

I have such a complicated relationship with this song. I can think of no holiday tune that's more thoroughly American, like an aural Norman Rockwell painting, with equal parts ebullience and vapidity that make it so easy to hum along to without worrying about any of the more grisly (birth of a tortured martyr), reverent (birth of a presumed savior), or more complicated elements (believing neither of these but still calling it Christmas) common to many songs of the season. My first memory of this song is hearing some muzak version on a used car commercial most years of my early childhood that sounded a lot like the Les Baxter version here, and getting that warm feeling that's so complicated to parse as an adult. In college I used to entertain my roommate Amanda by singing and dancing along to Debbie Gibson's version once a month or so throughout the year. It's still my favorite holiday standard, and I'll give any version a listen; two other favorites are the Squirrel Nut Zippers' and Los Straitjackets' versions. So of course I'm including all of them here.

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AuthorJohn Proctor

In discussions of the best single-artist Christmas album of all time, you could do a lot worse than James Brown's Funky Christmas, which is actually a distillation of three Christmas albums he recorded from 1966-1970. Brown actually rivals Sufjan Stevens in the wealth of really great Christmas songs he's recorded that are both seasonally appropriate and completely in his own personality. This is just one of many in that respect, but man, does it make me happy.

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AuthorJohn Proctor

I'm a big fan of the Very Special Christmas franchise - have been since I shoplifted the first volume on cassette in 1987. What I think I love most about the songs gathered over its first three volumes (I lost interest after 1997) is how so many artists whose work I wasn't really into rose to the occasion to deliver original songs or reinventions of standards that felt - still feel - were/are Christmas to me. I designate this song by Billy Idol, which for all I know is an original, an honorary Very Special Christmas Song. Alas, I found it tacked on the end of a compilation titled Monster Ballads Xmas, with fourteen predictably glammed-up versions of predictably-selected popular favorites by Warrant, Dokken, Winger, et al that tend to run together. And then there's track 15. I love how Billy Idol somehow manages to channel Burl Ives, pulling us all around the fire and telling us it'll be alright while winking with mirth at the absurdity of the whole Christmas enterprise.

Get more Christmas Love (and Misery) here!

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AuthorJohn Proctor

Tomorrow, in fact. No, I can't promise that you'll wake up and the past month (hell, year!) will have just been an entire season of Dallas, but I am here to give you - and myself - a little respite. This Christmas season I just couldn't bear to put together another 12 days of miserable Christmas songs (plus, my mother-in-law made me promise I wouldn't), so I'm going in the opposite direction: 12 Unrepentantly Happy Days of Christmas Songs.

As per the past couple of years, I'll give you a song a day leading up to Christmas, starting tomorrow. You can use it. In the meantime, soak in the misery of last year and the year before, if only to escape the misery of this year.

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AuthorJohn Proctor

Hi, everyone. I've taken a couple of days to soak in the much-needed good news that the Army Corps of Engineers declined an easement, effectively halting DAPL work, at least temporarily - make no mistake, this is a significant victory, but not a long-term one. I've just heard that tribal leader Dave Archambault III has asked non-Sioux protesters to leave for the winter, as tribe elders and representatives meet with the Corps of Engineers and (hopefully) Sunoco and ETP.

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AuthorJohn Proctor

Many of you who know me, know that I spent some time with the water protectors at Standing Rock earlier this month. I've really struggled since returning home to contextualize the struggle and my own place within it, finally coming to this conclusion: I am a writer, and my primary function should to document. To that end, I'm developing what I'm tentatively calling a digital oral history. I'm not sure exactly how this will end up, but my general intention right now is to collect as many different voices as I can, and organize the voices contextually as I go. I'll be updating regularly, and will indicate recently added material. You can find the tab in the menu above, or click here

My first addition is Voices of Standing Rock, a project of the Iktče Wičháša Oyáte, or Common Man Collective, of Standing Rock. Their interviews are elucidating and personal, including both indigenous voices and the extended family of non-indigenous friends. They are a crowdfunded enterprise, so if you are looking for a good cause to donate to, you can do that here via YouCaring.

 

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AuthorJohn Proctor

I HAVE A SNEAKING SUSPICION YOU WOULD ALSO SAY, "STOP CRYING. IT'S ONLY CANCER."

DON'T EVEN SAY THINGS ARE GOING TO GO ON AS USUAL. SO FAR, THE MAN YOU ELECTED HAS DESIGNATED A RAVING CLIMATE CHANGE CONTRARIAN TO HEAD THE ENVIRONMENTAL PROTECTION AGENCY'S TRANSITION TEAM, MADE A WHITE SUPREMACIST HIS CHIEF STRATEGIST, AND MADE A FRINGE SENATOR WHO EVEN REAGAN SAW AS TOO RACIST TO BE HIS ATTORNEY GENERAL. IN A NUTSHELL, HE'S APPOINTING PEOPLE TO DESTROY THE INSTITUTIONS THEY HEAD. AND WE'RE JUST A WEEK OUT OF THE ELECTION.

AND STOP WITH THIS BULLSHIT ABOUT GOD BEING IN CONTROL AND SEEING MORE THAN WE DO. 1) THERE MOST LIKELY IS NO GOD. SORRY. 2) DONALD TRUMP WOULD AGREE WITH ME ON POINT #1, IF HE WERE TO ACTUALLY GIVE IT ANY THOUGHT BEYOND HOW IT WOULD GET YOU TO VOTE FOR HIM. 3) IF THERE WAS A GOD AND THAT GOD IMPOSED DONALD TRUMP ON OUR COUNTRY, THEN GOD HATES THE U.S.A.

THIS WAS NOT "JUST AN ELECTION," THOUGH IT MIGHT HAVE BEEN THE ONLY ELECTION IN WHICH YOU ACTUALLY VOTED. AND DON'T SAY YOU VOTED FOR OBAMA THE LAST ELECTION, OR TRUMP'S ELECTION IS NO WORSE THAN OBAMA'S. YOU JUST VOTED FOR THE LEAST QUALIFIED CANDIDATE OF OUR LIFETIME, IF NOT AMERICAN HISTORY. IF YOU THINK THAT'S A GOOD THING, I INVITE YOU TO HAVE THE PERSON IN SEAT 6C (OR WHATEVER SEAT, YOU CAN CHOOSE) NAVIGATE THE PLANE ON YOUR NEXT FLIGHT. IF YOU SEE OUR COUNTRY'S GOVERNMENT AS THAT PLANE AND YOU WANT IT TO CRASH, THEN YOU ARE THE PERSON IN SEAT 6C NAVIGATING THE PLANE.

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AuthorJohn Proctor

So, a week has passed. It seems like much, much longer. I went to Standing Rock, and my country has a new president. I just finished writing a piece about my trip, and now I have to think on this new, ugly reality.

Ah, well. More Sneaky Feels starting tomorrow, and I promise you'll be reading about me and Standing Rock soon.

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AuthorJohn Proctor

Thanks to my colleague and teaching partner Nayma Qayum, I'll be discussing this recent piece from The Atlantic with my classes today as we begin our section on persuasive writing, with a focus shifted toward argumentation-as-understanding. Tomorrow I will vote, and the day after that I will be heading out to Standing Rock with Bill Housworth, an ardent Trump supporter who is also one of my oldest friends. We'll undoubtedly argue constantly and joyfully, as only people who understand each other as people can argue, when we're not too busy finding common ground in the mutual work we're doing and our shared heritage. It's going to be a very good week.

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AuthorJohn Proctor